Serge Rosenthal is a celebrated Haitian guitarist, composer, arranger, bandleader, and music historian whose profound influence on Haitian music, particularly the compas direct genre, has spanned decades. As a visionary artist, Rosenthal is widely recognized for his innovative contributions that shaped the sound and identity of Haitian mini-jazz bands during the 1960s and 1970s.
Born in Port-au-Prince, Haiti, Serge Rosenthal developed an early passion for music, particularly the rhythmic complexity and melodic richness of Haitian sounds. As a guitarist, he demonstrated exceptional talent that quickly set him apart in the emerging music scene of the mid-20th century.
In 1965, Rosenthal co-founded Les Shleu-Shleu, one of the pioneering bands of the Haitian mini-jazz movement. Established on December 22, 1965, in Port-au-Prince, the group was born out of a merger between two smaller ensembles, Manfoubins and Frères Lorenceau. Under Rosenthal’s leadership, Les Shleu-Shleu became an emblem of innovation, blending traditional compas direct rhythms with a modern, electrified sound that resonated with a younger, urban audience.
The band quickly gained prominence with hits like “Tête Chauve” (1969) and “Cé La Ou Yé” (1970), solidifying their reputation as one of Haiti’s most influential musical groups. Rosenthal’s role as a guitarist and bandleader was critical in crafting the group’s signature sound—marked by intricate guitar riffs, infectious rhythms, and dynamic arrangements.
Following the success of Les Shleu-Shleu, Rosenthal remained a leading figure in Haitian music. He went on to establish and lead Zotobre, another influential ensemble that carried his hallmark of musical excellence. In addition to performing, Rosenthal took a prominent role as a music producer, launching the record label Editions “R”. Through this platform, he championed the production and promotion of Haitian music, ensuring that both established and emerging artists had an opportunity to share their work with a broader audience.
Beyond performance and composition, Serge Rosenthal has played a critical role in documenting and preserving Haitian music. His deep knowledge and passion for the art form culminated in the publication of his book, “La Face Cachée du Compas Direct” (The Hidden Face of Compas Direct), in 2015. This seminal work provides an in-depth historical and cultural analysis of the compas direct genre, shedding light on its origins, evolution, and key contributors. Rosenthal’s book stands as a testament to his commitment to safeguarding Haiti’s rich musical legacy for future generations.
Serge Rosenthal’s contributions to Haitian music are both vast and enduring. As a guitarist, he set new standards for technical skill and creative expression. As a bandleader, he guided groups like Les Shleu-Shleu and Zotobre to national and international acclaim, helping to define the golden era of Haitian mini-jazz. As a producer and historian, he has worked tirelessly to preserve the heritage of Haitian music while inspiring contemporary musicians to innovate within traditional frameworks.
His work has not only enriched Haitian culture but has also resonated across the diaspora, where his influence can still be heard in modern interpretations of compas and mini-jazz music. Rosenthal’s ability to merge tradition with innovation ensures that his legacy will endure as a cornerstone of Haitian musical history.
Today, Serge Rosenthal is revered as one of Haiti’s most accomplished and respected musicians, a true pioneer whose artistry and scholarship continue to inspire artists and audiences alike. His work remains a beacon of pride and cultural identity for Haiti and its global diaspora.
